%PDF-1.4 In 2019, smartphones have become an extension of our relationships, laptops an extension of the office, and smart devices such as Alexa an extension of our knowledge. ?�&�^�t>��]x��vŭy�E�[;���)����8�`��X'?/�㉟��8u���2����p"�>Q^��)+8p��n�_!�W��z��n��*�p�\'���x>8�(;]�.�%�1 He said that he frequently would leave in the middle of a film screening to go home because films often bored him. 4 0 obj 4)34s 1 . Debord recounted that, during his youth, he was allowed to do very little other than attend films. Após a morte de seu pai, Guy foi levado, por sua mãe Paullette Rossi, para morar com sua avó materna em uma vila na Itália. !�� -�N�[ @�w��q��B�wU3�� /Resources 33 0 R _�as�W#��GP-��#�a�g3�" For Debord, mass produced images cast representations of life, transforming human experience into a commodified impression:‘The more he contemplates, the less he lives; the more he identifies with the dominant images of the need, the less he understands his own life and his own desires.’It is clear that Debord felt that modern life was stripping individuals of their unique thought, identity and culture, a process he deemed influenced by the government. 38 0 obj << /Type /Annot >> /Rect [100.662 115.743 216.229 128.076] Guy Debord (1931 — 1994) foi um escritor francês. O avanço implica-o. << /S /GoTo /D (section*.2) >> Guy Debord was born on December 28, 1931 in Paris, France as Guy-Ernest Debord. >> endobj >> endobj %���� 48 0 obj << —Guy Debord ([1967] 1995, 15) To say that Debord publicly distanced himself from Marshall McLuhan is something of an understatement. He was a writer and director, known for In girum imus nocte et consumimur igni (1978), Hurlements en faveur de Sade (1952) and Koyaanisqatsi (1982). spent several decades marveling at the numerous freedoms created by a "global village" instantly and effortlessly accessible to all. /Subtype/Link/A<>

/Type /Annot . Nevertheless, I can’t deny the highly influential effects of digital devices and their content, and their ability to shape behaviour. (Referencias) É a principal obra de Debord e a fundadora de uma corrente de crítica renovada que não estava satisfeita com o Capitalismo Ocidental e nem com o Socialismo bolchevique russo.A obra é resultado de uma série de debates e leituras acerca dos conceitos desenvolvidos por Marx. >> endobj 33 0 obj << The image wraps around you. endobj Frases e pensamentos de Guy Debord. /Filter /FlateDecode /D [25 0 R /XYZ 71 750.964 null] /Border[0 0 0]/H/I/C[1 0 0] /Font << /F40 36 0 R /F14 37 0 R /F42 39 0 R /F45 41 0 R /F13 42 0 R /F47 43 0 R >> endobj

52 years after publication, both thinkers are considered leading media theorists of their time, with views still relevant in the digital age. O plagiato é necessário. 7 0 obj Durante a Segunda Guerra Mundial, a família Rossi começou a viajar por várias cidades. << /S /GoTo /D (section*.3) >> /Subtype /Link /Rect [71.004 163.653 204.503 175.603]
Gone was the time where our television channels and news broadcaster was selected for us, we have the option to choose who we pay our attention to.Another aspect of perception that McLuhan and Debord reflect upon is the presence or absence of connectivity between an individual and a mediated image. Internationale Situationniste No. stream >> endobj << /S /GoTo /D (section.1) >> You are the vanishing point. These strategies, including "Debord has been the subject of numerous biographies, works of fiction, artworks, and songs, many of which are catalogued in the bibliography by Shigenobu Gonzalves, "Guy Debord ou la Beauté du Negatif." /Subtype /Link O sentido das palavras também. endstream 28 0 obj <<

/D [25 0 R /XYZ 72 546.328 null] La société du spectacle (A Sociedade do Espetáculo em português) é um livro do marxista Guy Debord, publicado em 1967.Trata-se de uma crítica teórica sobre consumo, sociedade e capitalismo.. O autor foi um dos fundadores da Internacional Situacionista.. Ligações externas "A Sociedade do Espetáculo" em português no ebooksbrasil.org
Guy Debord, Writer: In girum imus nocte et consumimur igni. Although technology is a universal experience, we don’t all use it in the same way. /D [25 0 R /XYZ 72 524.644 null] What can we lea What can we learn from Debord and McLuhan about the impact of technology on perception?McLuhan’s use of perception is central to his analysis of technology’s impact on its user’s body and sensory experience. 29 0 obj << /Subtype /Link Before electric technology was introduced, he describes the public as ‘separate individuals walking around with separate, fixed points of view’. Debord's father, Martial, was a pharmacist who died when Debord was young. endobj Debord published a follow-up book Comments on the Society of the Spectacle in 1988. /MediaBox [0 0 595.276 841.89]